The extent of the work of experimental composer, sonic architect, performance artist and visual media artist Guillermo Galindo, redefines the conventional limits between music, the art of music composition and the intersections between art disciplines, politics, humanitarian issues, spirituality and social awareness.

His acoustic compositions include major chamber and solo works, two symphonies commissioned by the UNAM (Mexico university symphony orchestra), the Oakland Symphony Orchestra and choir, and two operas with libretto by Guillermo Gomez Peña and Anne Carson. Galindo’s graphic scores and three-dimensional sculptural cyber-totemic sonic objects have been shown at major museums and art biennials in America, Europe, Asia including (amongst others) documenta14 in Kassel (2017), Pacific Standard Time (2017), FIAC (2018) and Art Basel (2018-19).